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Published Resources for Research
Aufderheide, P. (2000). The Daily Planet: A Critic on the Capitalist
Culture Beat. Minneapolis: University of Minnesota Press, 289-299.
Barnouw, E. (1993). Documentary: a history of the non-fiction film.
New York: Oxford.
Boyle, D. (1997). Subject to Change: Guerrilla Television Revisited.
New York: Oxford.
Castells, M. (1997). The power of identity. Vol. II, Information
Age. Malden, MA: Blackwell.
Calhoun, C., ed. (1994). Social theory and the politics of identity.
New York: Oxford.
Engelman, R. (1996). Public radio and television in America: A political
history. Thousand Oaks, CA: Sage.
Freedman, D., Frey, O., & Zauhar, F. (1993). The intimate critique:
autobiographical literary criticism. Durham, NC: Duke University
Press.
Friedlander, S. (1992, Spring-Summer). Trauma, transference, and
working through in writing the history of the Shoah. History and
memory 4, 39-59.
Frisch, M. (1990). A shared authority: essays on the craft and meaning
of oral and public history. Albany: State University of New York
Press.
Garnham, N. (1990). Capitalism and communication: global culture
and the economics of information. London: Sage.
Giddens, A. (1991). Modernity and self-identity: self and society
in the late modern age. Stanford, CA: Stanford University Press.
Ginsburg, F. (1994). Culture/media: a mild polemic. Anthropology
Today 10:2, 5-15.
Ginsburg, F. (1999). The parallax effect: The impact of indigenous
media on ethnographic film, in Gaines, J. and Renov, M., eds. Collecting
Visible Evidence.
Minneapolis: University of Minnesota Press, 156-175.
Gever, M., Parmar, P., & Greyson, J. (1993). Queer looks: perspectives
on lesbian and gay film and video. New York: Routledge.
Grant, B. K. and Jeannette Sloniowski, J., eds. Documenting the
Documentary: Close Readings of Documentary Film and Video. Detroit:
Wayne State University Press. 333-343.
Harvey, D. (1990). The Condition of postmodernity: an enquiry into
the origins of cultural change. Cambridge, MA: Blackwell.
Hirsch, K., ed. Making television matter: how documentaries can
engage and mobilize communities. Washington, DC: Benton Foundation,
21-27.
Hirsch, M. (1997). Family Frames: photography, narrative, and postmemory.
Cambridge, Mass: Harvard University Press.
Kuhn, A. (1995). Family secrets: acts of memory and imagination.
London: Verso.
Liss, Andrea. (1998). Trespassing Through Shadows: memory, photography,
and the Holocaust. Minneapolis: University of Minnesota Press.
MacDonald, S. (1988). A Critical cinema: interviews with independent
filmmakers. Berkeley, CA: University of California Press.
MacDougall, D. (1998). Transcultural cinema. Ed. and introduction,
Taylor, L. Princeton, NJ: Princeton University Press.
Marks, L. (2000). The Skin of the film: intercultural cinema, embodiment,
and the sense. Durham, N.C.: Duke University Press.
Nichols, B. (1991). Representing reality. Bloomington, Indiana:
Indiana University Press.
Nichols, B. (1994). Blurred boundaries: questions of meaning in
contemporary culture. Bloomington, Indiana: Indiana University Press.
Noriega, C. (2000). Shot in America: television, the state and the
rise of Chicano cinema. Minneapolis: University of Minnesota Press.
Olney, J. (1980). Autobiography: essays theoretical and critical.
Princeton, NJ: Princeton University Press.
Middleton, D. and Edward, D., eds., Collective remembering. Thousand
Oaks, CA: Sage.
Renov, M., ed. (1993). Theorizing documentary. New York: Routledge.
Renov, M. & Suderburg, E. (1996) Resolutions: contemporary video
practices. Minneapolis: University of Minnesota Press.
Rich, B. R. (1998). Chick flicks: theories and memories of the feminist
film movement. Durham, N.C.: Duke University Press.
Ruby, J. (2000). Picturing Culture: Explorations of Film and Anthropology.
Chicago: University of Chicago Press.
Schudson, M. (1999). The Good Citizen: a history of American civic
life. Cambridge, MA: Harvard University Press.
Smith, S., & Watson, J., eds. (1992). De/colonizing the subject:
the politics of gender in women's autobiography. Minneapolis: University
of Minnesota Press.
Sturken, M. (1997). Tangled memories: The Vietnam War, the AIDS
epidemic, and the politics of remembering. Berkeley, CA: University
of California Press.
Waldman, D. & Walker, J., eds. (1999). Feminism and Documentary.
Minneapolis: University of Minnesota.
Warren, C., ed. (1996). Beyond document: essays on nonfiction film.
Hanover, NH: Wesleyan University Press.
Holmlund, C. & Fuchs, C. (1997). Between the sheets, in the
streets: queer, lesbian, gay documentary. Minneapolis, MN: University
of Minnesota Press.
Smith, S. & Watson, J., eds. (1996.) Getting a life: everyday
uses of autobiography. Minneapolis: University of Minnesota Press.
Turton, D. & Crawford, P.I., eds. (1992). Film as ethnography.
New York: Manchester University Press.
Waldman, D. and Walker, J., eds. (1999). Feminism and Documentary.
Minneapolis, Minn: University of Minnesota Press.
Warren, C., ed. (1996). Beyond document: essays on nonfiction film.
Hanover, NH: Wesleyan University Press.
Young, J. (2000). At memory's edge: afterimages of the Holocaust
in contemporary art and architecture. New Haven: Yale University
Press.
Image: Still from Complaints of a Dutiful Daughter
Source: Benton Foundation
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