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In this issue...
  • The World Stopped Watching
  • Center Panel at INPUT 2005
  • CSM's "Untold Stories" on the Road!
  • Center hosts panel at SILVERDOCS Conference
  • Announcing new Center staff
  • CSM Visiting Magnum Photographers in the News
  • News From Just Vision

  • Prospective Students
    AU School of Communication

    Updated Best Practices FAQ
    After several meetings with doc filmmakers in San Francisco, Los Angeles and DC, Aufderheide and Jaszi have updated the FAQs where you can find out more about fair use in filmmaking.

    What's the problem and what can I do?

    E-Newsletter May 2005

    Dear Agnes,

    It's been a hectic but productive month of traveling to discuss Center projects with filmmakers and scholars. In this issue, you will find reports from several recent events. We have plenty more stops to make yet, including ICA at the end of May, SILVERDOCS in June and UFVA in August. Find out what all the buzz is about and get involved!


    Pat Aufderheide

    Pat Aufderheide and Peter Raymont The World Stopped Watching
    Filmmaker Peter Raymont at the Reel Journalism Festival

    "This really opened my eyes to how news is made - and what we don't see," said one attendee at the Center's April 10th double-doc event at the Reel Journalism Festival.

    Canadian documentary filmmaker Peter Raymont, along with writer Harold Crooks and featured journalist Bill Gentile reunited at the festival, to recall how they had made two docs 14 years apart. In the 1988 The World Is Watching, Raymont followed Gentile and other journalists as they covered the peace process between the Sandinistas and contras in Nicaragua. The doc boldly exposed the limitations and distortions of mainstream headline news. In 2002, the three returned to Nicaragua, to discover the human stories that had fallen off the news docket. The result was The World Stopped Watching. "Journalists each have the obligation to fight for the stories they think need to be told," said Gentile after the screenings.

    Photo by Satomi Kato.

    More on Reel Journalism

    Center Panel at INPUT 2005
    Creative Audience Engagement in Public Service Media Production

    An international panel hosted by the Center discussed strategies to bring new audiences to public television at INPUT 2005 in San Francisco. INPUT annually brings together programmers and producers for public service television world-wide. The panel , moderated by Pat Aufderheide, addressed one of public TV's most painful issues: how to find audiences and users who will support it in a time when public broadcasting's relevance is being challenged.

    A segment of a TV series, Videoletters, now being shown in the Balkans, provided one answer. Dutch filmmakers, explained writer/producer Jurrien Rood, found people in the ex-Yugoslavia who had broken ties with someone now across a border. They used video letters to reunite them, and filmed the process. Five governmental TV systems agree to carry the programming simultaneously-a first for them-and local outreach is extending the process.

    Other answers included the making of South African documentaries by new black African makers about their daily lives (Project 10), making a global series with joint funding from European TV systems about democracy, and the American approach of working with nonprofit organizations at the community level to extend the reach of broadcast (more at nationaloutre ach.org)


    SILVERDOCS AFI/Discovery Channel Documentary Festival CSM's "Untold Stories" on the Road!

    Filmmakers at the Tribeca Film Festival in New York, and at HotDocs doc fest in Toronto, Canada, heard about the Center's Untold Stories research in late April. At Tribeca, legal scholar Peter Jaszi, co-principal investigator, spoke about the "clearance culture" that keeps filmmakers from using the legal rights they have. At HotDocs, the major doc fest-marketplace in North America, co-PI and Center director Pat Aufderheide showed the short video Untold Stories. (The video and report are still available for free in DVD by writing socialmedia@american.edu!).

    In both places, filmmakers were surprised to hear how many legal opportunities to use copyrighted material without licensing it they actually have. Filmmakers complained about having to pixel out trademarked items (which is legally unnecessary), not being able to find copyright holders, and having to pay high prices. Filmmaker Jeff Tuchman explained that tight copyright practices are a gag on creativity. Canadian filmmakers find that, even though they have much clearer law permitting them to quote, they too are being forced to clear material that they shouldn't have to. "Filmmakers need help in learning about the actual terms of the law, and they also can shape professional culture," said Jaszi. "They can help themselves by clarifying and sharing their best practices."

    Legal organizations have also shown interest. Peter Jaszi will speak at the Princeton Club on May 25 to legal associations, in company with Charles Wright of A&E among others. He will also speak to the Music and Entertainment Law Committee of the D.C. Bar's Arts, Entertainment, Media and Sports Law Section in June.

    Scholars are also engaging with the issue. At the International Communications Association meeting in New York on May 28, Aufderheide and Jaszi will participate in a panel, "'Fair Use' and Creativity: Theoretical and Practical Issues in Research." Academics including Joseph Turow of the Annenberg School of the University of Pennsylvania, Matt Jackson of Pennsylvania State University, and Frederick Wasser of Brooklyn College CUNY will discuss research directions in user rights.

    Filmmakers are finding the report online. "As a filmmaker focusing on social and historical issues, the rights clearance problem is a big concern for us. I take some comfort in the strength that you see in fair use. Thanks for the encouragement," said David Todd of the Conservation History Association of Texas.

    The Untold Stories project's next step is facilitating the evolution of a collective statement of fair use by documentary filmmakers. Both the Rockefeller Foundation and the John D. and Catherine T. MacArthur Foundation have agreed to support this project over the next 18 months. Read the revised FAQ on this phase.

    Read "The Cost of Copyright" by Matt Dunne courtesy of The Independent, April 2005

    SILVERDOCS AFI/Discovery Channel Documentary Festival Center hosts panel at SILVERDOCS Conference
    International Documentary Conference in Silver Spring, MD from June 15-17

    During Silverdocs AFI/Discovery Channel Film Festival, the Center is hosting a morning-long workshop at the conference on June 16: JUST DON'T SING "HAPPY BIRTHDAY"!: THE CREATIVE PRICE OF COPYRIGHT CLEARANCEFOR DOCUMENTARY FILMMAKERS. At the panel launching the workshop, filmmaker Jeffrey Tuchman of Documania Films and Vanessa Arteaga of the theatrical distribution company Wellspring will join Pat Aufderheide and Peter Jaszi in highlighting the issues. In the workshop, filmmakers will work with lawyers and other experts in rights clearance, to find out how fair use can function better for them and their audiences.

    The festival runs from June 14-19, 2005 with a special preview screening of Double Dare on May 25th.

    More information on the festival & conference

    Announcing new Center staff
    New address, new staff

    The Center for Social Media is happy to announce the addition of two new members to the organization, Noëlle McAfee as Deputy Director and Shannon Grevious as Projects Manager.

    Noëlle McAfee, who has been an associate professor of philosophy at the University of Massachusetts Lowell, is moving to Washington to become the Center's new Deputy Director on June 1. Noelle's research focuses on the communicative and semiotic formations of the public sphere. She has written extensively on deliberative democratic theory, feminist philosophy, American pragmatism, and contemporary continental philosophy, Noëlle serves as associate editor of the Kettering Review, a journal of political thought published by the Charles F. Kettering Foundation. She is also the author of two books, Habermas, Kristeva, and Citizenship (Cornell University Press) and Julia Kristeva (Routledge), and the co-editor of Standing with the Public: the Humanities and Democratic Practice. She is currently writing a book on democracy and the semiotic public sphere and co-editing a special issue of Hypatia, the journal of feminist philosophy, on feminist theory and democratic thought. Noëlle received her MA in public policy from Duke University and her doctorate in philosophy from the University of Texas at Austin. As Deputy Director, Noëlle will coordinate the Center's work on the public media environment.

    Shannon Grevious has an MA in Communications, Culture and Technology from Georgetown University. Shannon's research interests include cultural studies, film production, online community development, and the history of film and photography. Shannon worked as a Production Assistant for Still Fighting, a documentary about Afghan women in politics, currently being produced by New View Films. She worked as script supervisor on short film projects and also co- produced a digital story. Shannon has written an article about the photography from the American Negro Exhibit showcased at the 1900 Paris World's Fair, to be published in the online journal Gnovis. Prior to completing her MA, Shannon served as a Municipal Development Volunteer with the Peace Corps in El Salvador, managing projects related to local development and citizen participation. Shannon received her BA in Spanish from the University of Virginia. As Projects Manager, Shannon will manage the Center's grants programs and organize events.

    We welcome Noëlle and Shannon to our organization and look forward to the enthusiasm and value they bring to the exciting work we do here at the Center for Social Media.

    In addition to new staff, the Center has moved to bigger offices! We are now located adjacent to American University's Main Campus, at 3201 New Mexico Avenue NW, Suite 395. If you are in town, please stop by, see our new digs and welcome Noëlle and Shannon!


    Eli Reed, Magnum Photos CSM Visiting Magnum Photographers in the News
    Check out the April issue of Newsphotographer Magazine!

    The Center has hosted four Magnum photographers over the last two years as part of the Camera as Catalyst Visiting Photographers series coordinated by SOC faculty member Leena Jayaswal.

    In the April issue of News Photographer, Eli Reed is profiled as he begins a teaching career at University of Texas at Austin. In addition to sharing his own work with SOC students, Reed spent time critiquing portfolios for many students and visiting a variety of photography class to give mini- lectures. The cover story Eli Reed: A Life in Photos by Ricardo Gandara with Photographs by Lara Skelding appears in April 2005 News Photographer magazine.

    In the same issue, another visiting photographer, Chien-Chi Chang's new book of photographs, Double Happiness is profiled. During his visit to AU, he presented his social documentary work on condition in a mental asylum in Taiwan. His new work deals with another side of Taiwanese culture - arranged marriages between Taiwanese men and Vietnamese women. The insightful review into Chang's work was written by Stephen Wolgast.

    National Press Photographers Association

    Nahanni Rous, Pat Aufderheide and Ronit Avni News From Just Vision
    Just Vision director Ronit Avni and project co-manager Joline Makhlouf work for peace among Israeli and Palestinian civilians.

    Avni, who presented the Just Vision project as a work-in-progress at the Center in March 2004, appeared on the Oprah show on April 25. See a snapshot of Avni and Makhlouf from the Oprah homepage.

    Pictured: Nahanni Rous, project co-manager, Pat Aufderheide and Ronit Avni from their March 2004 visit to AU.

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