The cherry blossoms are in full bloom in DC, and the
Center is in full swing with several upcoming
events, a new website under development and lots of
news from Future of Public Media and Fair Use,
Free Speech.
Media makers are finding ever more creative ways to
engage audiences. In this issue, we highlight new
resources including Kathryn Montgomery’s “Free
Culture, Phase 2” report and Marty Lucas’ video
report “Many to Many,” both examine the role of new
digital technologies in bringing communities
together for shared experiences. There are also
several new resources outside the Center, such as
the "Bound by Law?", a comic book on fair use
by Duke Law School, and online global warming Public
Service Announcements at the Environmental Defense
website.
I hope that you will explore these new resources,
and join the Center at one of the many events in
April and May. And if you are a film student or
professor, don’t forget about the UFVA Fair Use &
Free Speech film contest.
Thank you for your continuing support, and we look
forward to bringing you a revamped web portal and
community platform in May!
Pat Aufderheide
"Many to Many: Public Media and the Blogosphere" by Marty Lucas
A New Video Resource
Now available on the Center website, "Many to Many"
takes a look at the emerging ‘blogosphere’ - the
growing world of Internet self-publishers and
citizen journalists and asks what public
broadcasters in the US and the UK are doing to use
new media tools to interact with their viewers and
listeners in innovative ways. The video features
interviews with Cara Mertes of the award-winning PBS
series POV, and Lucy Hooberman of the BBC’s R&D
wing, and a look at NPR program ‘Radio Open Source’
and the Global Voices blogger network. Download at
will, use in your classroom, share with friends, and
upload it to as many blogs as you like!
Kathryn Montgomery, associate professor in the
School of Communication and director of the youth
media and democracy project at the Center, last May
brought together an eclectic brain trust of 50 young
"digital leaders" under 30 years of age who want to
create democratic access to art, expression, and
governance in a digital age. American University
School of Communication is pleased to announce the
release of the “Free Culture, Phase 2” conference
report, available at the School of
Communication.
The report showcases the active and effective
organizations and movements represented at the Free
Culture, Phase 2 conference. The report includes:
conference discussion themes and samples,
cultural collaboration or ‘sharing,’
additional analysis and commentary, and
websites of the organizations represented at the
event.
The Center hosts a panel on fair use and contract
clearance, reporting on progress in industry
practices since the launch of the Documentary
Filmmakers’ Statement of Best Practices in Fair
Use. Joining Professors Aufderheide and Peter
Jaszi will be legendary cinema vérité filmmaker
Albert Mayles (also accepting a CINE lifetime
achievement award that day), award-winning
documentary filmmaker Gordon Quinn, and the
Independent Television Service’s vice president for
distribution, Tamara Gould.
At this year’s Nashville Film Festival, Agnes
Varnum, the Center’s outreach coordinator on
fair use issues, will join Byron Hurt
(Beyond Beats and Rhymes) and lawyer F.
Casey Del Casino on a panel about the
implications of copyright for freedom of expression.
Fair Use at Computers, Freedom & Privacy Conference
Washington DC, May 3
Sponsored by Public Citizen’s Litigation Group, this
panel will address intellectual property issues in
the digital age and the growing need for content
creators to utilize their fair use rights. Center
director Pat Aufderheide will be among the panelists.
The Center is co-organizing a conference on the
future of public media in an open digital
environment titled, “Beyond
Broadcast” from May 12-13 at the Berkman
Center for Internet and Society at the Harvard Law
School. This open conference follows on the Center’s
initial convening, “Digital
Media and the Public Sphere."
Traditional public media - public broadcasting,
cable access television, public satellite channels -
face a unique opportunity to embrace new
participatory web-based media models - podcasting,
video blogs, social software - and create a stronger
and more vital public service. The conference is an
opportunity for innovators and leaders in public
media on any platform to meet and find out how
others are experimenting.
The Center is organizing panels and speakers on
public media for the SILVERDOCS AFI/Discovery
Channel Documentary Festival’s annual conference,
June 15-17 in Silver Spring, MD. SILVERDOCS hosts
one of the most
significant annual documentary festivals in the
world. This year, the conference features “The
Future of Real,” a look at the business, technology,
political, and aesthetic trends driving documentary
film. Public media have a leading role to play in
the future of documentary as a vital force for
public information and action; at the same time,
public media themselves are morphing. The June 16
panel, “Do Documentarians Still Need Public Media?”
explores these issues.
Both events saw eager audience members scooping up
multiple copies of the Statement of Best Practices
in Fair Use and seeking helping on questions about
their own work. Center director Pat Aufderheide
presented examples of fair use at SXSW and a
participant asked, “What do the lawyers on the panel
think about this fair use project?” New York-based
attorney Stephen Beers quickly answered that the
time for this project has come. The same sentiments
permeated the Media Coalition presentation at
Tribeca Cinemas that included: Byron Hurt
(Beyond
Beats and Rhymes), his attorney Lisa Davis of
Frankfurt Kurnit Klein & Selz, PC, and Agnes
Varnum,
the Center’s outreach coordinator.
In an online salon moderated by Agnes Varnum, Pat
Aufderheide and Peter Jaszi addressed NAMAC members
of media arts organizations, independent filmmakers,
and attorneys in an online salon which elicited an
intense discussion around fair use policy issues.
Media arts organizations continue to grapple with
providing comprehensive information to filmmakers
about the wide variety of special circumstances to
encounter during the editing process. Jaszi and
Aufderheide pointed to a variety of work occurring
on other frontiers, such as E&O insurance, orphan
works, and foreign rights. However on the fair use
issue, Jaszi reassured, “In the handful of cases
involving doc filmmaking defendants so far,
plausible fair use defenses always have won. There
are no exceptions to this generalization.”
Pictured from left: Agnes Varnum, Warrington
Hudlin (DVRepulic.org), Byron Hurt, Lisa Davis and
Denise Richards (WNET)
Fair Use, Free Speech UFVA Film Contest
Deadline Approaching: May 6
If you haven’t already done so, there is still time
to put together a short film that utilizes material
under fair use for this upcoming competition.
Whether it is commentary, a historical piece, or one
that captures a story as it is, filmmakers are
learning when claiming ‘fair use’ for copyrighted
material, it is legal and imperative for our shared
creative culture. If exercising your rights isn’t
enough, there are cash prizes for the winners and
screening at this year’s UFVA conference at Chapman
University in August in Los Angeles.
Thinking about using archival or news footage in
your documentary? Hoping you can that perfect song
for a song? Wondering whether a TV or radio on in
the background of your scene or a logo on a
character's T-shirt is included under Fair Use?
Looking for tips on how to negotiate rights with a
composer or a clip house so you don't pay for more
than you need? The next Wednesday One will answer
all of these questions and more. "Getting the Rights
Right" will give you a better understanding of when
and how to get rights to use copyrighted material,
how to determine if something is in the Public
Domain, and understanding when you can claim Fair
Use. If you plan to use any material in your
projects which was not created by you, you should
not miss this month's Wednesday One.
Lillian Jiménez: "Antonia Pantoja: Forging a Path for Puerto Rican Civil Rights in the U.S."
Washington DC, April 13
The Center is co-sponsoring this intriguing lecture
by Lillian Jiménez, who has worked as a media arts
center manager, independent producer, media
activist, exhibitor, funder and educator.
Bound by Law: Law Professors Release Comic
Book about Copyright and
Documentary Film at Duke University Law School
"Bound by Law?": Law Professors Release
Comic Book about Copyright and
Documentary Film at Duke University Law School
Today's
students and documentary
filmmakers are forced to confront copyright issues
every day.What is
permissible? What is fair use?
Until now, the only answers came in lengthy and
incomprehensible law review
articles or confusing internet resources.Three law professors at the Center for the
Study of the Public Domain have
tried to remove the legalese with Bound by
Law - a comic book on copyright and
documentary film.
Published under a Creative Commons
License, Keith Aoki, James Boyle and Jennifer
Jenkins explain the basics of
copyright in clear and easy-to-understand
examples.It deals with such issues as
understanding fair use, determining
what is in the public domain, and knowing the
effects of digital technology on
the meaning of intellectual property.You can read or download
the publication for free at http://www.law.duke.edu/cspd/comics/ or buy hard copies at Amazon http://www.amazon.com/gp/product/0974155314/.
Online
video broadcast
distribution has spruced-up and revived the Public
Service Announcement (PSA),
which commercial television has long slighted. A new
study by the Henry J.
Kaiser Family Foundation, “New Media and the Future
of Public Service
Advertising,” http://www.kff.org/entmedia/7469.cfm,
highlights sophisticated
public service campaigns that integrate old
fashioned TV ads, text-messaging,
and videoblogging, among other media tools. Whether
it’s AIDS in India or civic
engagement among young voters, “rich media” (online
and interactive media) is
working to reach hard-to-find audiences.
The
environmental advocacy think
tank Environmental Defense has launched highly
topical, vivid PSAs at
www.environmentaldefense.org both online and in
traditional media, linking
viewers to its Stop Global Warming web
page.
13th
NATIVE AMERICAN FILM AND
VIDEO FESTIVAL | Call For
Entries
Submissions currently being
accepted for the 13TH NATIVE AMERICAN FILM + VIDEO
FESTIVAL, November 30 -
December 3, 2006; Deadline: April 7,
2006
The
National Museum of the
American Indian's Film + Video Center announces the
13th Native American Film
and Video Festival to be held from November 30 -
December 3, 2006 in New York
City. The 2006 Festival will feature outstanding
Native independent and
community productions in film, video, radio, and new
media, produced after May
2003. The Festival also marks the celebration of the
Film + Video Center's 25th
anniversary.
Call
For Entry can be downloaded
from:
www.nativenetworks.si.edu
(English)
www.redesindigenas.si.edu
(Español)
For
more information: Tel: (212)
514-3737 or email FVC@si.edu
FILM
YOUR ISSUE Deadline May 21!
Film
Your Issue (FYI) is a
groundbreaking socially conscious film competition.
With major partners like
George Clooney, Philip Seymour Hoffman, Barack
Obama, and Mark Cuban among
others, FYI invites young Americans ages 18-26 to
create a 30-60 second
live-action or animated "issue film." The new
deadline is May 21st and the
contest is free to enter. For more information,
visit http://filmyourissue.org.
MediaRights’ Media That Matter
Film Festival – April is DIY Screening
Month!
All
year long, Arts Engine brings
our unique collection of inspiring films to
audiences around the country. From
classrooms to living rooms, the films are used to
spark debate and action on
the most burning topics of the day. Now is your
chance to bring Media That
Matters to your community. Click
here to learn more and sign up to do a
screening.
April-May: Arctic
Son at Full Frame, IFP at
Lincoln Center, IFF Boston and
Hot Docs
Arts
Engine and Big Mouth Films
present Arctic Son. In the tiny village
of Old Crow, 80 miles north of the Arctic Circle, a
father and his son are
reunited after almost 20 years apart. They share a
name and a bloodline, but
the worlds they know and the lifestyles they lead
are as different as their
respective hometown climates. Arctic Son explores
the complex relationship
between tradition and modernity; old and young;
nature and pop culture;
addiction and independence; and the bigger quest we
all embark on at one point
or another -- the need to know who we are and where
we belong. For more
information, click
here.
9th UNITED NATIONS ASSOCIATION FILM FESTIVAL (UNAFF) Call for Entries, Deadline June 1
Held
October 25-29, 2006 at Stanford University, UNAFF celebrates the power of international documentary films and videos dealing with human rights issues, environmental survival, protection of refugees, famine, homelessness, racism, disease control, women's issues, children, universal education, war and peace.
The theme for UNAFF 2006 is:
“SPARKS OF HUMANITY”
Formats: 16mm and 35mm film; 1/2", Beta SP, DVD, PAL/NTSC.
Preview on 1/2" VHS (PAL/NTSC) and DVD (NTSC region 0 or 1).
All genres and lengths are eligible.
Entry fee: $25 for films up to 30 min. and $35 for films longer than 30 min. Please send a check or money order payable to UNAFF.