April 2006 Newsletter
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In this issue...
  • "Many to Many: Public Media and the Blogosphere" by Marty Lucas
  • “Free Culture, Phase 2”
  • Fair Use Panel at CINE Golden Eagle Awards
  • Fair Use at Nashville Film Festival
  • Fair Use at Computers, Freedom & Privacy Conference
  • “Beyond Broadcast” Conference
  • SILVERDOCS and “The Future of Real” Conference
  • Fair Use, Free Speech on the Road
  • Fair Use, Free Speech UFVA Film Contest
  • WIFV Wednesday One: Getting the Right Rights
  • Lillian Jiménez: "Antonia Pantoja: Forging a Path for Puerto Rican Civil Rights in the U.S."
  • Partner News

  • Prospective Students
    AU School of Communication

     

    E-Newsletter April 2006

    Greetings,

    The cherry blossoms are in full bloom in DC, and the Center is in full swing with several upcoming events, a new website under development and lots of news from Future of Public Media and Fair Use, Free Speech.

    Media makers are finding ever more creative ways to engage audiences. In this issue, we highlight new resources including Kathryn Montgomery’s “Free Culture, Phase 2” report and Marty Lucas’ video report “Many to Many,” both examine the role of new digital technologies in bringing communities together for shared experiences. There are also several new resources outside the Center, such as the "Bound by Law?", a comic book on fair use by Duke Law School, and online global warming Public Service Announcements at the Environmental Defense website.

    I hope that you will explore these new resources, and join the Center at one of the many events in April and May. And if you are a film student or professor, don’t forget about the UFVA Fair Use & Free Speech film contest.

    Thank you for your continuing support, and we look forward to bringing you a revamped web portal and community platform in May!


    Pat Aufderheide

    New Resources "Many to Many: Public Media and the Blogosphere" by Marty Lucas
    A New Video Resource

    Now available on the Center website, "Many to Many" takes a look at the emerging ‘blogosphere’ - the growing world of Internet self-publishers and citizen journalists and asks what public broadcasters in the US and the UK are doing to use new media tools to interact with their viewers and listeners in innovative ways. The video features interviews with Cara Mertes of the award-winning PBS series POV, and Lucy Hooberman of the BBC’s R&D wing, and a look at NPR program ‘Radio Open Source’ and the Global Voices blogger network. Download at will, use in your classroom, share with friends, and upload it to as many blogs as you like!

    Go to Future of Public Media>>

    “Free Culture, Phase 2”
    Kathryn Montgomery’s New CSM Report

    Kathryn Montgomery, associate professor in the School of Communication and director of the youth media and democracy project at the Center, last May brought together an eclectic brain trust of 50 young "digital leaders" under 30 years of age who want to create democratic access to art, expression, and governance in a digital age. American University School of Communication is pleased to announce the release of the “Free Culture, Phase 2” conference report, available at the School of Communication.

    The report showcases the active and effective organizations and movements represented at the Free Culture, Phase 2 conference. The report includes:

    1. conference discussion themes and samples,
    2. cultural collaboration or ‘sharing,’
    3. additional analysis and commentary, and
    4. websites of the organizations represented at the event.

    Download at the School of Communication>>

    Fair Use Fair Use Panel at CINE Golden Eagle Awards
    Washington DC, April 18

    The Center hosts a panel on fair use and contract clearance, reporting on progress in industry practices since the launch of the Documentary Filmmakers’ Statement of Best Practices in Fair Use. Joining Professors Aufderheide and Peter Jaszi will be legendary cinema vérité filmmaker Albert Mayles (also accepting a CINE lifetime achievement award that day), award-winning documentary filmmaker Gordon Quinn, and the Independent Television Service’s vice president for distribution, Tamara Gould.

    Get the latest on Fair Use>>

    Nashville Film Festival Fair Use at Nashville Film Festival
    Nashville TN, April 25

    At this year’s Nashville Film Festival, Agnes Varnum, the Center’s outreach coordinator on fair use issues, will join Byron Hurt (Beyond Beats and Rhymes) and lawyer F. Casey Del Casino on a panel about the implications of copyright for freedom of expression.

    For panel details and ticketing, visit Nashville Film Festival>>

    Fair Use at Computers, Freedom & Privacy Conference
    Washington DC, May 3

    Sponsored by Public Citizen’s Litigation Group, this panel will address intellectual property issues in the digital age and the growing need for content creators to utilize their fair use rights. Center director Pat Aufderheide will be among the panelists.

    For more information, visit Public Citizen Litigation Group>>

    mediarights “Beyond Broadcast” Conference
    Cambridge MA, May 12-13

    The Center is co-organizing a conference on the future of public media in an open digital environment titled, “Beyond Broadcast” from May 12-13 at the Berkman Center for Internet and Society at the Harvard Law School. This open conference follows on the Center’s initial convening, “Digital Media and the Public Sphere."

    Traditional public media - public broadcasting, cable access television, public satellite channels - face a unique opportunity to embrace new participatory web-based media models - podcasting, video blogs, social software - and create a stronger and more vital public service. The conference is an opportunity for innovators and leaders in public media on any platform to meet and find out how others are experimenting.

    Get details and register now>>

    SILVERDOCS and “The Future of Real” Conference
    Silver Spring MD, June 15-17

    The Center is organizing panels and speakers on public media for the SILVERDOCS AFI/Discovery Channel Documentary Festival’s annual conference, June 15-17 in Silver Spring, MD. SILVERDOCS hosts one of the most significant annual documentary festivals in the world. This year, the conference features “The Future of Real,” a look at the business, technology, political, and aesthetic trends driving documentary film. Public media have a leading role to play in the future of documentary as a vital force for public information and action; at the same time, public media themselves are morphing. The June 16 panel, “Do Documentarians Still Need Public Media?” explores these issues.

    Passes are now onsale>>

    Media Coalition of Artists of Color Fair Use, Free Speech on the Road

    The Center presented the Documentary Filmmakers’ Statement of Best Practices in Fair Use at this year’s South by Southwest Film Festival (SXSW) in Austin, a Media Coalition of Artists of Color in gathering in New York, and in an online salon sponsored by the National Alliance for Media Arts and Culture.

    Both events saw eager audience members scooping up multiple copies of the Statement of Best Practices in Fair Use and seeking helping on questions about their own work. Center director Pat Aufderheide presented examples of fair use at SXSW and a participant asked, “What do the lawyers on the panel think about this fair use project?” New York-based attorney Stephen Beers quickly answered that the time for this project has come. The same sentiments permeated the Media Coalition presentation at Tribeca Cinemas that included: Byron Hurt (Beyond Beats and Rhymes), his attorney Lisa Davis of Frankfurt Kurnit Klein & Selz, PC, and Agnes Varnum, the Center’s outreach coordinator.

    In an online salon moderated by Agnes Varnum, Pat Aufderheide and Peter Jaszi addressed NAMAC members of media arts organizations, independent filmmakers, and attorneys in an online salon which elicited an intense discussion around fair use policy issues. Media arts organizations continue to grapple with providing comprehensive information to filmmakers about the wide variety of special circumstances to encounter during the editing process. Jaszi and Aufderheide pointed to a variety of work occurring on other frontiers, such as E&O insurance, orphan works, and foreign rights. However on the fair use issue, Jaszi reassured, “In the handful of cases involving doc filmmaking defendants so far, plausible fair use defenses always have won. There are no exceptions to this generalization.”

    Pictured from left: Agnes Varnum, Warrington Hudlin (DVRepulic.org), Byron Hurt, Lisa Davis and Denise Richards (WNET)


    Fair Use, Free Speech UFVA Film Contest
    Deadline Approaching: May 6

    If you haven’t already done so, there is still time to put together a short film that utilizes material under fair use for this upcoming competition. Whether it is commentary, a historical piece, or one that captures a story as it is, filmmakers are learning when claiming ‘fair use’ for copyrighted material, it is legal and imperative for our shared creative culture. If exercising your rights isn’t enough, there are cash prizes for the winners and screening at this year’s UFVA conference at Chapman University in August in Los Angeles.

    Get more details at UFVA>>

    WIFV Wednesday One: Getting the Right Rights
    Washington DC, May 3

    Thinking about using archival or news footage in your documentary? Hoping you can that perfect song for a song? Wondering whether a TV or radio on in the background of your scene or a logo on a character's T-shirt is included under Fair Use? Looking for tips on how to negotiate rights with a composer or a clip house so you don't pay for more than you need? The next Wednesday One will answer all of these questions and more. "Getting the Rights Right" will give you a better understanding of when and how to get rights to use copyrighted material, how to determine if something is in the Public Domain, and understanding when you can claim Fair Use. If you plan to use any material in your projects which was not created by you, you should not miss this month's Wednesday One.

    Get panel discussion details>>

    Lillian Jiménez: "Antonia Pantoja: Forging a Path for Puerto Rican Civil Rights in the U.S."
    Washington DC, April 13

    The Center is co-sponsoring this intriguing lecture by Lillian Jiménez, who has worked as a media arts center manager, independent producer, media activist, exhibitor, funder and educator.

    For more details>>

    Partner News

    Bound by Law: Law Professors Release Comic Book about Copyright and Documentary Film at Duke University Law School

    "Bound by Law?": Law Professors Release Comic Book about Copyright and Documentary Film at Duke University Law School

     

    Today's students and documentary filmmakers are forced to confront copyright issues every day.  What is permissible? What is fair use? Until now, the only answers came in lengthy and incomprehensible law review articles or confusing internet resources.  Three law professors at the Center for the Study of the Public Domain have tried to remove the legalese with Bound by Law - a comic book on copyright and documentary film.

     

    Published under a Creative Commons License, Keith Aoki, James Boyle and Jennifer Jenkins explain the basics of copyright in clear and easy-to-understand examples.  It deals with such issues as understanding fair use, determining what is in the public domain, and knowing the effects of digital technology on the meaning of intellectual property.   You can read or download the publication for free at http://www.law.duke.edu/cspd/comics/ or buy hard copies at Amazon http://www.amazon.com/gp/product/0974155314/.

     

    Educational orders for over 50 can be purchased directly from Duke at a subsidized price.  http://www.law.duke.edu/cspd/comics/buy.html

     

    The Future of PSAs is Online

     

    Online video broadcast distribution has spruced-up and revived the Public Service Announcement (PSA), which commercial television has long slighted. A new study by the Henry J. Kaiser Family Foundation, “New Media and the Future of Public Service Advertising,” http://www.kff.org/entmedia/7469.cfm, highlights sophisticated public service campaigns that integrate old fashioned TV ads, text-messaging, and videoblogging, among other media tools. Whether it’s AIDS in India or civic engagement among young voters, “rich media” (online and interactive media) is working to reach hard-to-find audiences.

     

    The environmental advocacy think tank Environmental Defense has launched highly topical, vivid PSAs at www.environmentaldefense.org both online and in traditional media, linking viewers to its Stop Global Warming web page.

     

    13th NATIVE AMERICAN FILM AND VIDEO FESTIVAL | Call For Entries

     

    Submissions currently being accepted for the 13TH NATIVE AMERICAN FILM + VIDEO FESTIVAL, November 30 - December 3, 2006; Deadline: April 7, 2006

     

    The National Museum of the American Indian's Film + Video Center announces the 13th Native American Film and Video Festival to be held from November 30 - December 3, 2006 in New York City. The 2006 Festival will feature outstanding Native independent and community productions in film, video, radio, and new media, produced after May 2003. The Festival also marks the celebration of the Film + Video Center's 25th anniversary.

     

    Call For Entry can be downloaded from:

     

    www.nativenetworks.si.edu (English)

    www.redesindigenas.si.edu (Español)

     

    For more information: Tel: (212) 514-3737 or email FVC@si.edu

     

    FILM YOUR ISSUE Deadline May 21!

     

    Film Your Issue (FYI) is a groundbreaking socially conscious film competition. With major partners like George Clooney, Philip Seymour Hoffman, Barack Obama, and Mark Cuban among others, FYI invites young Americans ages 18-26 to create a 30-60 second live-action or animated "issue film." The new deadline is May 21st and the contest is free to enter. For more information, visit http://filmyourissue.org.

     

    MediaRights’ Media That Matter Film Festival – April is DIY Screening Month!

     

    All year long, Arts Engine brings our unique collection of inspiring films to audiences around the country. From classrooms to living rooms, the films are used to spark debate and action on the most burning topics of the day. Now is your chance to bring Media That Matters to your community. Click here to learn more and sign up to do a screening.

     

    April-May: Arctic Son at Full Frame, IFP at Lincoln Center, IFF Boston and Hot Docs

     

    Arts Engine and Big Mouth Films present Arctic Son. In the tiny village of Old Crow, 80 miles north of the Arctic Circle, a father and his son are reunited after almost 20 years apart. They share a name and a bloodline, but the worlds they know and the lifestyles they lead are as different as their respective hometown climates. Arctic Son explores the complex relationship between tradition and modernity; old and young; nature and pop culture; addiction and independence; and the bigger quest we all embark on at one point or another -- the need to know who we are and where we belong. For more information, click here.

    9th UNITED NATIONS ASSOCIATION FILM FESTIVAL (UNAFF) Call for Entries, Deadline June 1

    Held October 25-29, 2006 at Stanford University, UNAFF celebrates the power of international documentary films and videos dealing with human rights issues, environmental survival, protection of refugees, famine, homelessness, racism, disease control, women's issues, children, universal education, war and peace.

    The theme for UNAFF 2006 is:

    “SPARKS OF HUMANITY”

    Formats: 16mm and 35mm film; 1/2", Beta SP, DVD, PAL/NTSC.
    Preview on 1/2" VHS (PAL/NTSC) and DVD (NTSC region 0 or 1).
    All genres and lengths are eligible.

    Entry fee: $25 for films up to 30 min. and $35 for films longer than 30 min. Please send a check or money order payable to UNAFF.

    Deadline is June 1, 2006

    Download the Entry Form here>>

    Awards: UNAFF Grand Jury Award, the Stanford Video Award for Cinematography and the Stanford Video Award for Editing

     

     

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