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• Kim Longinotto’s Master Class
• Outreach as a Central Element in Documentary Production
• Fahrenheit, Fries, Fox, & Fairness: The New Political Documentary
• Anand Patwardhan and “The Messengers of Bad News”
• Anne Lewis and “Creative Vision”
• Gordon Quinn and “The New Americans” - An Interview
• Judith Helfand and “Making Change, Making Movies”
• Melissa Young and ‘Not For Sale’
• John de Graaf and “Affluenza”
• Kirsten Johnson and “Innocent Until Proven Guilty”
• Patricio Guzmán and “El Caso Pinochet”
• Kristi Jacobson and “American Standoff”
• Jeremy Spear and “Fastpitch”
• Vincent and Shelley Dunn Fremont and “Pie in the Sky”
• Katherine Dieckmann and “A Good Baby”
• Tod Lending and “Legacy”
• Sharon Greytak and “Losing It”
• Michael Dominic and “Sunshine Hotel”
• Debra Zimmerman and Women Make Movies
• Screening and Panel: Banking on Disaster
• Adrian Cowell
• Finding the Story: From the Amazon to Burma and Back
• Lillian Jiménez on Antonia Pantoja
• Fair Use, Free Speech and Contract Clearance
• Fair Use, Licensing, and Intellectual Property Rights
• Fair Use at Computers, Freedom and Privacy Conference
• WIFV Wednesday One: Getting the Right Rights
• Taking the Law Into Your Own Hands
• Buyer, Be Fair: The Promise Of Product Certification
• How to Film Sharks and Bears and Live to Tell About It
• Democracy on Deadline with filmmaker Cal Skaggs
• Clearance, Copyright and Fair Use for Filmmakers with Michael C. Donaldson
• Making Your Documentary Matter
• Film Screening: Race is the Place
• Footage from the ‘Fair Use and Free Speech’ Launch
• To Live is Better than to Die
• Ronit Avni, Founder and Director of Just Vision
• Examples of Successful Fair Use in Documentary Film
• Category 1: Commenting Critically on Media
• Outfoxed
• Paul Fusco
• George Stoney
• Panel: Copyright, the Constitution, and the Crisis in Historical Documentary Film
• Visiting Filmmaker: Orlando Bagwell
• WAR TAKES with Patricia Castaño
• Katy Chevigny
• Patricio Guzmán
• Digital Futures: A Need-to-Know Policy Guide for Independent Filmmakers
• “Docu makers rallying for fair use of fair use”
• The Electronic Frontier Foundation (EFF)
• Center for Arts and Culture: Cultural Commons
• Association of Independent Video and Filmmakers: Resources for Indies
• ITVS: Producer Resources
• Cultural Policy & the Arts
• New York Foundation for the Arts
• Women Make Movies: Production Assistance Program
• National Endowment for the Humanities
• Creative Capital
• Film Arts Foundation Grants
• IDFA Forum
• Sundance Documentary Fund
• Morrie Warchawski’s Fundraising Bibliography
• New Day Films
• Without A Box
• Independent Feature Project
• Freespeech.org
• Docurama
• Working Films
• National Video Resources
• Outreach Extensions
• Using Video to Create Social Change
• DigitalDocumentary.org
• What Keeps Social Documentaries from Audiences—and How to Fix It
• In the Battle for Reality: Social Documentaries in the U.S.
• DocuSeek
• Sundance Documentary Fund
• Category 2: Sampling popular culture to portray societal conditions
• Killing Us Softly
• Behind the Screens
• Category 3: Incorporating incidental sounds and images in documentary footage
• Category 4: Employing archival material in historical or biographical sequences
• Why America Hates the Press
• Refrigerator Mothers
• Women’s Voices: The Gender Gap
• The Persuaders
• Merchants of Cool
• Game Over
• Cracking the Code of Life
• Money for Nothing
• Who Owns the Past?
• The New Americans
• 5 Girls
• Karl Rove - The Architect
• Giuliani Time
• Citizen King
• Jack Walsh
• Michael Donaldson
• Sandra Ruch
• Tamara Gould
• Fair Use at Upcoming Conferences
• Fair Use at Nashville Film Festival
• Making Your Documentary Matter 2006
• Fair Use Featured at CINE Awards
• Public Media and the Smithsonian Controversy
• Docurama
• Maximizing Distribution
• Impact of Uprising of ‘34: A Coalition Model of Production and Distribution
• The Current State of the International Marketplace for Documentary Films
• Collaborative strategies for social action filmmakers
• Why Fund Media
• Making Your Documentary Matter 2005
• Media and Metanoia: Documentary “Impact” Through the Lens of Conversion
• “Documentaries: Making an Impact,” at the 25th IFP Market in New York City
• The Television Race Initiative: Sparking Dialogue That Can Lead to Action
• Is Social Change Media a Delusion? California Newsreel at 30 and 2000
• The Drum Beat
• From the Broadcaster’s Corner: A Success Story in Coalition Outreach
• Visiting Filmmakers: Patrice O’Neill and Pamela Calvert
• Paco de Onis and Peter Kinoy
• Gordon Quinn
• Jos de Putter: The Damned and the Sacred
• Case Study: Indians, Outlaws and Angie Debo
• Breaking New Ground: A Framework for Measuring the Social Impact of Canadian Documentaries
• The Forgetting: A Portrait of Alzheimer’s
• Blue Vinyl and the My House is Your House Consumer Organizing Campaign, 2002-2003
• Impact of Uprising of ‘34: A Coalition Model of Production and Distribution
• Using Grassroots Documentary Films for Political Change
• Report from the Road: Two Towns of Jasper
• Enhancing Education: A Producer’s Guide
• Outreach Extensions: National Legacy Outreach Campaign Evaluation
• Well-Founded Fear: A Case Study
• The Television Race Initiative: Sparking Dialogue That Can Lead to Action
• Positive: Life with HIV: When a Film Doesn’t Receive a National PBS Broadcast
• Case Study: Changing the World, One Documentary at a Time
• Center Director Submits Testimony on Smithsonian/Showtime Controversy
• Testimony on the Smithsonian Controversy to the House Committee on House Administration 5.25.06
• Fair Use and Free Speech
• Producing Films With Nonprofit Organisations
• Fear, Truth, and the Documentary
• Tia Lessin
• AIDS in Focus: Telling the Stories Behind the Headlines
• Checkpoint & Best of INPUT 2004
• Untold Stories: Creative Consequences of the Rights Clearance Culture
• With God On Our Side: George Bush and the Religious Right
• Photographer Chien-Chi Chang
• In the Light of Reverence
• Visiting Filmmakers: Patrice O’Neill and Pamela Calvert
• Valentina’s Nightmare and Rwanda: The Weapon
• Visiting Filmmaker: Ronit Avni
• Social Action Media Showcase
• Camera as Catalyst: Leonard Freed
• Human Rights Film Series
• Special event: Magnum Photographer Bruce Davidson
• Women Make Movies Turns 30
• Labor Filmmakers’ Roundtable: Making Movies About Real Life
• Independent Views of September 11
• Power of Media as a Social Tool
• Filmmakers Forum on Satyajit Ray
• Powerful Social Action Films and Strategies
• Real Screen Roundtable
• “Trembling before G-d”
• Sundance hosts open house for the Center
• SILVERDOCS 2006
• Film Screening: Muxes: Autenticas, Intrepidas y Buscadoras del Peligro
• Visiting Photographer: Lou Dematteis
• Dallas Video Festival: Copyright & Fair Use Workshop
• 9th United Nations Association Film Festival
• 2006 DC Labor Film Fest Screening: The Take
• Watch our latest videos on the latest in web-based and community outreach media
• Film Screening: The Best of The Santa Barbara Ocean Film Festival 2006
• Let us know what you thought about Making Your Documentary Matter 2007!
• Mimi Pickering Participatory Media Speech
• Refrigerator Mothers
• Freeing the Data in London
• Public Media Strategies in Entertainment Education- Doe Mayer Podcast
• Public Media Strategies in Entertainment Education- Doe Mayer Podcast
• AU’s Center for Social Media to Screen Film During DC Labor Film Fest
• Listen to the Made in LA discussion podcast
• The View from the Top: P.O.V. Leaders on the Struggle to Create Truly Public Media
• George Stoney Visits American Univeristy
• George Stoney Visits American University
• “Plight Entertainment”: Engaging Audiences With Difficult Stories
• MYMM Afternoon Panel: Crossing Cultural Boundaries

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